Arts Grant artist blog

Thursday, January 28, 2010

Prototyping





Our team is in the midst of prototyping our exhibits before we shift into full-blown building mode. Below are pictures of prototype pastes/gels for our Squeeze Tube piece, and a miniature array of our Twinkly lights experience.

We've been playing around with a variety of materials and construction styles, and we currently have proof-of-concepts for 5 of our pieces.

Last weekend we also got two HUGE boxes of used disposable cameras which we'll use in our Flash Explosion exhibit. We'll be spending some time with the camera circuit boards, and keep you all updated (provided we don't shock ourselves too badly).

Friday, January 22, 2010

"Undone": Progress on our Film


Hey guys. Nicole here. Yun and I are in pre-production, trying to secure the different aspects of our film that need to fall into place before we actually start shooting, which will hopefully take place in a week. Things seem to be slowly but promisingly coming together. Thanks to some back-and-forth skyping between China and NY we managed to write our script over winter vacation. We've since finalized it, and have been devoting our energies to casting, storyboarding, figuring out crew and shooting locations, etc. As far as the visual arts element of our project is concerned, I've been working on some sculptures that will be incorporated into the film as props.

As we move forward, Yun has been sharing many film-experience pearls of wisdom with me, a film-making neophyte (it's so incredible to collaborate with someone whose artistic vision you really trust!). So far I've found the process of getting this thing off the ground totally all-consuming/rewarding/terrifying. Both Yun and I are excited to move on to the filming stage to remind ourselves what all of this planning and preparation has been for.

As you can see, I've included some images of the sculpture-props I've made.


Wednesday, January 20, 2010

G-mail chatting it up

Hi!

My project has been quite the process! I didn't expect it so time-consuming, but nor so fulfilling. I'm reaching over 100 pages on my novella, which is in gmail-chat format. I still have to add more stuff, but I'm hoping to minimize it so it won't be such a challenge to bind...

But overall, my project is tracking two Asian American high school seniors in Southern California (2008-09) through their college application process and their navigation of senior year--you know, that year with the drama, activities, and anticipation of where one would be going to school next year.

To get more perspectives on the college application process, particularly with a emphasis on Asian Americans, I send Facebook/ e-mail/ and one-on-one interviews with Asian American high school seniors or those recently graduated (college freshman/ sophomores). There was an impressive response and interest in the subject. I noticed that there was a significant disparity between perspectives of the college application among different backgrounds, but a unifying connection was--stress!

I hope I do the stories justice! Here's a small excerpt (formatting changed from the copy and paste...)

from:
Amy Nguyen xXaznprinxessXx@gmail.com to Gabrielle Chen gwchaing@gmail.com
date:
Wed, Nov 5, 2008 at 7:42 PM
subject:
Chat with Gabrielle
mailed-by:
gmail.com


7:26 PM Gabrielle: :I
me: oh math crap.
7:27 PM Gabrielle: ?
me: i suck at calc
Garbrielle: i just cracked open the book. The tutor is like blah blah blah. Don’t understand shit.
________________________________________ 5 minutes
7:33 PM me: ughh
7:37 PM Gabrielle: garble garble
me: mumble mumble
natasha bedingfield - the one that got away <3
me: youtubingngnggg
7:38 PM me: :) the chorus
7:40 PM my dad is being a dickhead.
he blocked youtube on my computer
Gabrielle: ....
why? College app season? x)
me: 'cause he's an ass ?
he thinks he's a god by controlling what i can and can't see
7:41 PM or whether or not i can even use the net
7:42 PM Gabrielle: D:
7:43 PM me: i'm actually trying to do the online quiz for calc like a good little kid. XD
Gabrielle: ah!
i should do that
okay, i'm going to let us all go
hm
me: you reminded me by doing im-ing me
Gabrielle: the mix is better, i think, than the original?
me: yeah dancy one right ? cya later….at math.

Sunday, January 17, 2010

Comic book- brainstorming, panelling, sketching.

Hello!

Here are some of the finished drawings of my comic book which I'd done last quarter. I've finished writing the story during winter break, when I was in UK. Currently, most of my stuff are still in sketches and panels; yet to be inked. I need to get more work done by this weekend! がんばつて! By the way, my style is pretty manga-ish =)



Rainforest


Beginning


Classroom scene

Now that I've shown a preview of my work, I'll write a little bit about how this project first surfaced. It all started in Fall 09-10 (last semester). I took the class ARTSTU 14A: Drawing Comics for Non-Majors with Juan. I've always liked reading manga since I was young and I do draw some fan arts and bits of sketches every now and then. However, I've never really found the time to produce a proper comic book. I've been reading a lot of "drawing manga books" but until I took this class, I've never done any inking, paneling, character design, story boarding, etc. Juan was simply amazing, allowing us the freedom to produce whatever comics that we want for the class's assignment (yes even abstract comics!).

And with this grant (which I'm very grateful for as materials and printing are very expensive), I am planning to expand my comic book to 20-30 pages. Most of it will be in black and white but there will be some pages which will be colored. I'll be using mixed media: markers, pens, water color pencils, acrylics. All of my work will be hand drawn and I'll only be using Photoshop for touch ups and maybe some effects.

Till next time,

Cheers!

Mei Yueh

Saturday, January 9, 2010

Beginnings

I had the opportunity to break-in the soles of my feet and dance during the winter break while I was home in Boston. (nice way to stay warm!) I took classes in Flamenco, Ethno-Hatian dance, American Tribal Style belly dance, Tribal Fusion belly dance, and Middle Eastern dance. Unfortunately I was never able to take classes in Kathak nor Tahitian dance as I had planned; it was really difficult to get in touch with dance instructors and schedule classes during the winter holiday.

Through my experience thus far I have had the opportunity to reassess and reignite my creative development as a dancer. There were many more moments than I expected where I found myself hitting some walls: Are there limitations that came with a dance’s expectations, rules, and etiquette? Will different aspects of dances contradict each other? Can a fusion/collaboration be created while keeping intact the integrity and authenticity of the individual dances?



I attended a lecture at the beginning of my break in Boston titled: “The History of Belly Dance: From the Sacred to the Profane.” It was presented by Naraya of Vadalna Tribal Dance Co. based in Boston. Naraya is absolutely amazing, she is not only the founder and artistic director of Vadalna but she is also a wife, mother, and Ph.D candidate at Brandeis in the field of Anthropology. Her lecture peeled away layers of hidden history. Belly dance is a product of creative imagination and it continually changes with what the dancer want to take away from it and give of it. But the beginning of “belly dance” is not exactly clean and clear cut. Its origins derive from profane paintings of women in which explorers claimed danced for men in North African and Middle Eastern countries in which they had explored and eventually colonized. The idea of belly dancers were further explored at Chicago’s world’s fair where Middle Eastern culture was exploited, misrepresented. Colonialism, exploitation, male dominated sexual desires drove the thoughts that began the ideas behind “belly dance.” Even today belly dance does not get the respect it deserves from general audiences despite the evolution it has seen. As much as dancing has been an outlet for artistic expression it has also been a means to speak my mind and demonstrate my power as a being and as a woman.

I’m in the process right now searching for music and creating the troupe and solo choreographies for Arts Affair in the spring. I talked to the ladies I teach on the weekends and we may do a rehearsal performance for Stern Hall in a common space in front of the dining hall if we can get permission to do so before spring break.

Wednesday, January 6, 2010

progress!

Hey ho. Here's some paintings I've finished.... trying to get more focused on exactly what I'm doing, I think I'm going to include my whole moleskine sketchbook since I just finished one and have begun another. Grappling with subject matter since I want to move away from portraiture, or at least direct my work with some kind of bent. I have enjoyed shifting styles, which wasn't entirely intentional for any of these, but it just turns out that I get restless doing one thing for too long. Undecided as to whether any of these is particularly more successful than the others. Though they do look cool sort of hanging out together, like a painting party. Not really a lively one, however.





Overall it appears that I am sort of groping around. But I am getting things done... I have a lot of smaller digital pieces and sketches that I'm not sure what to do with. Here are a few..



Cheers!




Wednesday, September 16, 2009

Final Copies





Hey guys,

These are the final pictures of my pieces.

Chris

Tuesday, September 15, 2009

Last One... Down is the new Up


Hey guys,

Here's a pic of my last piece, Down is the New Up.

Chris

Friday, September 11, 2009

Finally, some uploads

A great tragedy has occured: my mother accidentaly wrote on one of my CDs that I burned with pictures.... with a ball point pen. Some of my awesomest photos from Bhutan are probably lost forever!! Anyone have any experience with this? Advice?
Anyway, I'm heading back to SF tomorrow. Here are some of my shots.








Wednesday, September 9, 2009

examples of CD graphics

After finishing the 6 songs, I also designed my CD label, 4-page insert, and tray liner. Below is the CD label and tray liner:



two untitled recents



My two newest pieces. The small blue one may not be totally finished. The other is large (5' x 3'), which I mention because the photo may be misleading.




You are my center when I spin away


Hey Guys,

This is the newest piece I've been working on.  It's about 95% there, just needs a few touch ups.  Anyway, it's called "You Are My Center" based on the song Videotape.

Chris

Sunday, September 6, 2009

fundon





so i've been painting 9am-5pm at the slade in london for 3 weeks, initially with a focus on the process of painting, and now with a more literal, figurative approach in a life painting course.

anyways, since my grant is mainly based on thinking through abstract art in terms of materials, process and concept, i've decided to upload images of the ones i think do that best. and because my work is about thinking, i want to include my three small moleskin sketchbooks from this summer to compliment the processes in my paintings.

ps these images appear in the reverse order i did them...if that matters.

Saturday, September 5, 2009

Well its been awhile since I last posted but now I've got another piece to put on the blog. Watercolours were much less forgiving than the oil paints I used for the most part of this year. I will hopefully do a couple more watercolours so I'm not left with three oils and this one sitting on its own. Not really sure what to call this one, but 'Free Your Mind' (with accompanying song lyrics) just popped into my head. I might let it stick, or I might not. Only time will tell.
Tripp

Friday, September 4, 2009

rough studio recording MP3 of Muse

video
Based on surveying musicians and studio owners for their recommendations, i found what seems to be the most prominent, award-winning recording studio in town. I also convinced the very kind, friendly, and super baller sound engineer to charge me half his usual rate, so that it is the same rate and even cheaper than the other studios. Yay!  Here is an example of a preliminary MP3, the one based on Pygmalion and Galatea. I think it sounded better from his studio speakers... its seems a little echoey for some reason... I will listen to these preliminary recordings in detail and make a note of parts I need to rerecord. I will also add other instruments later, including percussion for some of them.

Wednesday, September 2, 2009














Hey Guys,

Here are some pics of my newest piece, based on the song Four Minute Warning.  I haven't come up with a title for it yet.

Chris

Saturday, August 29, 2009

Highland dancing and the music hunt...


Hello! Since my last post I have been dancing lots, and also starting to think about the final performance, which has consisted mostly of a massive search for appropriate music. Due to an early-summer camera malfunction, I haven't had a chance to take pictures for a while, but I will post some soon, and describe things in the meantime.

First, the dancing. While I have been taking Kathak class on Sundays and practicing with Vanisha during the week, I have also been going to Scottish Highland dance class twice a week at the San Jose School of Highland Dance. I danced Highland competitively throughout middle and high school and a little in college, but hadn't been to class in about a year, let alone competition. It was a little frustrating at times getting back into it, as my stamina, especially, was way below what it used to be and I'm getting corrections on things I had fixed years ago, but after many evenings of sore legs (and lots of bananas!) I feel like I'm starting to get back into the groove, which is a great feeling. In general, I am THRILLED to be dancing again, the teachers are wonderful, and I am hoping to keep doing Highland at least intermittently through the school year, to the point where I might be competition-ready in the spring or summer. 

And now, the great music hunt! Since my final dance will be fusing Highland and Kathak, I am hoping to use a piece of music that at least gives a nod to both cultures. As you can probably imagine, this search has been interesting! After perusing youtube videos of pipe bands in India and dholis jamming with bagpipers, I contacted a band called Delhi2Dublin, to see if I might be able to get a copy of their track "Dil Nachde" without lyrics, and they emailed back, which is promising. This band's name pretty much describes their music, and this track consists of an upbeat celtic fiddle tune with a dhol drum beat behind it. It's not strictly Scottish or at all what Kathak dancers actually dance to, but I think it may work for what I am trying to communicate with the dance. My other contender is a piece called "The Spark" by Scottish fiddler Alasdair Fraser and his band Skyedance, with which I would blend Kathak beats. 

Molly

late start, but finally moving

Hey everybody,

Sorry to be posting so late--i've spent the past two months almost completely off the grid in New Mexico, and took a while to get going on my project. But I am now unemployed, drowning in all the source material I've collected, and itching to paint, so have finally gotten started. Uploaded pictures of my makeshift studio, first painting (still a little wet..), and sketches for the next one.

Everyone's work looks so incredible--can't wait to see/hear/read it all in a few weeks!

peace,
Nell











Chris Winterbauer Project Update

Hey guys,

These are some shots of the first piece I've completed, titled "Your Eyes (Weird Fishes)". My apologies for the poor lighting/image quality.  Should have more up by Monday.

Chris











Animation Project Update

Hey all. Figured I should post an update on what I've been up to lately. I'm mostly filming these days, and it's one of the most stressful things I've ever done. I may actually be able to pull this off though. Wish me luck!

Photos:




























My sister got bored so she made a domo. This has nothing to do with my project. I just think it's cute.

Wednesday, August 26, 2009

Hi friends-

I just finished translating/transcribing interviews and stories, so now it is major writing time. It's taken me a bit to get into re-writing stories (I've been only into poetry and non-fiction for a while now), but here is one example of a longer rewritten ancestor story (still in drafting mode, keep in mind, so comments are welcome!). Also is a poem and a quote from an interview to show you guys the different types of writing/editing I'm working on. Cool. Everybody's project looks fantastic and I'm stoked for October...
cheers- Christa

1) How Coconuts came to Karkar
Sun glowed from behind a thin layer of fog as it approached dusk, a circle of orange that could be looked at straight on, though their mother told them never to try. The sun didn’t like to be stared at, the sun was naked and it was indecent to stare at something so round and beautiful.
So Peter and Malek, as they paddled toward the center of the channel, looked forward or down to the light reflected in the small waves which built with every hour. Their paddles and canoe, made out of the dame diwai (tree) when their grandfather was Peter’s age, held and moved the ocean well.
When they reached the deepest point they knew of, the water was smoother with current and they knew that by sundown they would have drifted halfway around Karkar. With motions betraying instinct, the older brother, Malek, slipped pieces of abus (meat) onto rusted and voluptuous hooks, which Peter hopped toward the bow of the canoe and cast.
It was the kind of day where seagulls descend in giddy non-formations toward the froth of the upsurging schools of fish. Peter hardly had time to cast a line into the melee before a silver-shriek uplifted the water and swallowed their hooks whole. Malek, his feet swimming in fish scales that made the bottom of the boat squiggle in translucence, bit the heads of the fish quickly, their tail drop, their fins fold, the brain crushed under the practiced weight of his incisors. It was that kind of day. It was that day.
When the boat was cramped with creatures, the two pulled in their last line. The fish, a large tuna, when flung into the canoe, was half a fish. Her tail had been bitten off. Her eyes already rolled to a stop. It was then Peter and Malek felt the boat jolt.
They knew from stories their grandfather told. Soon enough, Malek pointed to a shark fin the size of his head part the water a few feet from their stern. The shark’s shadow dwarfed their little canoe, and as he swam toward their boat again, a wake formed around the top of his massive forehead. The boat tipped, some fish slid over the side and into the waiting jaws of the shark.
This gave Malek an idea. He told Peter to paddle as fast as he could as he threw the fish out, far away, to distract the shark. One fish, 5 meters toward shore. Two fish, 10 meters toward shore, 3 fish, 15 meters toward shore.
The shark kept coming back and back. The froth behind him was bloodied and shimmering with scales, his teeth buai stained red, like the boys’ own. The shark came back and back until Malek threw the last fish in the water and they were still 50 meters from shore. Malek thought for a moment, for only the space between two of Peter’s oars, and said,
“Because you are younger, you haven’t experienced so much about this life, i will give you the chance to live. You cut every piece from my body and feed the shark and keep paddling.”
Peter would not. He looked into his brother’s face and kept paddling, but said nothing, and did nothing. He would not. So Malek pulled the knife from his belt, cut off his left hand, and without a wince, threw it behind him. Before passing out, he handed his knife to his brother, and then closed his eyes.
So the elder brother gave himself up and every time the shark came to the boat, Peter cut off some part of the elder brother’s body to feed the shark. He kept paddling. His brother’s foot. He kept paddling. His brother’s arm. He kept paddling. His brother’s stomach. He kept paddling. The shark kept returning until all of Malek was gone and only his head remained, rolling on the floor of the canoe, luminous with fishscales. It was then that the canoe ran aground on the beach and the shark, kept at bay by the waves of the shallow reef, could not follow.
Peter put his hands around the head of his elder brother and carried him against his chest, onto the beach. Weeping until he washed all of the blood away, Peter dug a hole and buried the head of Malek.
Every day from then on, Peter would come to the beach and lay his cheek against the ground and cry, until one time, he came to visit the grave and found something strange. A small, green shoot growing above the sand. Peter came back, at dawn when the seabirds would scratch it away, or at night when the other kids would trample it playing in the surf. He looked after the shoot for one year, then two years, on and on through his marriage and child and mother’s death and the building of a small dock from the curve of the beach.
After a very long time, the shoot became a tree, and the tree bore fruit, and after Peter saw the first fruit fall off, he took it in his hands and he removed the cover of it and found the inside part of it and saw the two eyes and mouth, and said, this, this is my brother’s head. The village people came and took the dry fruits and drank them and ate them and called them coconuts, and to this day they sustain Karkar Island. So when you look at the coconuts now, you can see the eyes and the mouth and that is the head of the elder brother, Malek, who gave his life.

2) The bats left Madang town

Migration

And every time Susan says it in Tok pisin
No gut bats. No sawe bats stap lo where?
No one knows where the bats went.
Not the elders who saw the volcano
Birth the island, Not the university
Dwellers who sent their electrodes into
The trees not even Susan not even me.
The plague? Heat wave? Tsunami?
Stomach knocks into a stone, I’m not
Superstitious, not at all, but the bats fled
like too many soldiers filing out to battle.
The bush hut settles into a strange silence;
What God means
When he talks about warnings.
You should have known! He says
You should have had faith in my creatures
As if I could see a migratory anomaly to mean
I was sinful, needed to obey the holy ghost,
Practice abstinence and repent, repent, repent.

Exodus

Lucy fled to the highlands
Roger stayed Australian put
Susan prayed, Selfi shrugged
Her shoulders, like, God loves
Me, no worries, chill out, little
White girl with the nervous face on.
But I know nothing about faith
And resign myself to apocalypse,
Which may be the same thing.

Diaspora

When the bats sink toward the Sepik, believers
May curl into our own colonies, curl the messengers
Into our untrembled elbows and rinse ourselves in the din

The safe surrounding of galip nut-sized brains,
Who still hear the earth shudder and take her seriously
I will remove parts of my cerebellum

Until I return to instinct, or belief, or both, or
Whichever comes first. Remember how to
fight or flight and learn how to flock in formation

The white girl left with the flying foxes they would say
Grow black leather wings from my triceps and armpits,
Toenails long enough to grip, a taste for overripeness and
Exoskeletons.

Ghost Town

Trees black coral spires
Against midnight.
Outside crickets
Howl lonely,
Insects flutter
In glee. Fruit
Left rotting
The island smells
Sweet and dead
Already.

3)PNG time

PNG (Papua New Guinea) time is phrase to describe a conditioned behavior pattern that has just erupted because of the laziness of the person to understand the Western system that was in place. In traditional times before the first white man came, Papua New Guinea used to live a lazier life, a nobody cares life, like everything that I have is right in front of me and I take life as simply as I can. Move the way I like, sleep whenever I like, and eat whatever I like. When the first white man came, they introduced health solutions, this education system, and eventually this government system with us, hoping that it would be better for us to adopt these styles. I don't know. Maybe, but I don't know.
-Jared

yo. just realized that I didnt have the photo attached. here tis :]


I know it's taken me ages to post - but its been a pretty hectic summa. I'm in Kuwait right now but I'll be back in good ol'California on the 14th of Sept. 
So, I'm including a couple of pictures of the portraits I did/have almost finished @ Stanford. One is of my roommate/good friend Sheilan and her mother. The other is also of a friend of mine, David Geeter (i've also included the photo that I used). 
My project is basically a series of 6 portraits of faces around Stanford. They're all 36x36 (just so you guys have an idea) I'm pretty much done with the three others that I started in Kuwait. I'll add those soon enough, now that I finally have this blog up and running...
Anyway, everyone's work looks incredible so far :] Hope you all are enjoying what remains of our summer.
-over'n'out

Sunday, August 23, 2009

Bhutan

Hey friends!
After three days in Kolkata, I've arrived in Bhutan and am greatly enjoying the mountain air and dried yak cheese.
In Kolkata I visited a district where they make statues to immerse in the Hooghly river during pujas (ceremonies) in autumn and got some okay shots there, though the light was not too good. It was hard to find craftspeople in such a big city, and there was definitely more marketing of handicrafts than there was making. Our driver didn't understand what pottery was so we didn't really make it to the potter's area. Bummer.
I am planning on having better luck here in Bhutan. :-)
Tomorrow we will see some weavers at a textile museum, and some thangka painters and royal blacksmiths. Crossing my fingers for a non-rainy day... I really need this lighting thing to work out!!
Mkay, that's all for now. I'll try to upload shots if I can. Eventually. Later.

Monday, August 10, 2009

watercolor portraits underway
















This is the beginning of my first watercolor portrait. (Things have been crazy this summer) As you can see, I just have the face, but I've spent so much time mentally mapping the composition that I think it should all go pretty smoothly from here.

I was very surprised by my materials in starting the project. I used much of my grant money to buy brand new high quality watercolor paints, and I couldn't believe how differently they behaved from the student quality box-set I had bought in high school. It took some getting used to, but I think I'm getting the hang of it.